B131 Fenton THISTLE Marigold Carnival Glass Footed Banana Boat

Description

THISTLE. Lovely and Large (10½” x 7½”) Marigold Carnival Glass Footed Banana Boat, in excellent antique condition.
There are a couple of minuscule fleas in one spot on the rim; otherwise there is no damage. The exterior bears Fenton’s “Water Lily” pattern.
FENTON ART GLASS COMPANY
1905 – 2011
ANTIQUE CARNIVAL ERA GLASS
1907 – late 1930s
Antique Fenton Carnival Glass has no trademark of any kind.
THISTLE
With WATER LILY & CATTAILS exterior
Lovely and Large (10½” x 7½”) Marigold Carnival Glass Footed Banana Boat, in excellent antique condition.
The exterior bears Fenton’s “Water Lily & Cattails” pattern.
There are a couple of minuscule fleas in one spot on the rim that are only apparent on very close inspection; otherwise there is no damage.
Frank and John Fenton
(John later founded Millersburg Glass Co.) introduced America to inexpensive iridized glassware in 1907. Their innovative process involved spraying hot glass with proprietary solutions of metallic salts to produce a microscopically-thin layer of metal which bonded to the glass on a molecular level. Different salts and multiple sprayings influenced the color and intensity of the iridescence which makes Carnival Glass so beautiful and collectible. Nearly 150 patterns in Carnival Glass are credited to the Fenton Art Glass Company.
Excellent Undamaged Antique Condition
means that while a
listed
item has no post-production damage such as chips or cracks,
it may have discernible minor wear from usage and/or nesting (stacking)
. This wear will be mentioned and/or highlighted with its own photo
if over-moderate
. In my opinion, there are very, very few pieces of Carnival Glass that don’t have an imperfection of some sort, whether from production or use, that can’t be found with careful inspection, but that doesn’t impact the presentation.
Production conditions in the early 1900s were dirty and dangerous; there was no “Quality Control” as we know it now. Issues resultant from these conditions include:
Air bubbles
in the glass that were not squeezed out during pressing.
Heat checks
which are internal rifts filled with air (which is why you can see them), usually from a burst air bubble.
Inclusions
in or on the surface of the glass, such as ash and cinders. Often found in the flames of vases and rims of bowls were it settled during pressing.
Strands
of undissolved colorant (usually in green glass).
Straw marks
which are lines
in the glass caused by premature solidification where the molten glass was
snipped from the gathering rod with cool metal shears when the mould was full; lines also formed on the surface during the cooling process.
Tool marks
from implements used to form the edge or influence the shape.
Mold issues
related to filling and release such as incomplete or malformed edges,
rough seams, extra glass at seams; webbed, incomplete or pulled edge points.
Cooling issues
such as
uneven legs, slanted stems or a bowed base (causing rocking), surface lines and heat checks.
Production issues may be undesirable in the extreme, but they do not qualify as “damage” and will be found to some degree on nearly all antique glassware. Issues of wear will be left to your discretion.
Combined Shipping
is offered for both domestic and international shipments.
All items are bubble wrapped. No tape is used on the bubble wrap (YAY!). Carton voids are filled with cushioning peanuts. Cartons are labeled GLASS or FRAGILE, and
shipped in one business day or, if I’m away, ASAP upon my return.
All shipments are insured. International shipments will travel via USPS Priority Mail International for insurance and tracking purposes. The declared customs value may include the shipping charge depending on your country’s import policies.
PLEASE USE YOUR SHOPPING CART if planning to make multiple purchases, and at checkout click on “ask seller for total”.
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